How to Have
a Great Night Out
The
essence of music is live performance. But over the years I've
been surprised how few people know know how to have the best possible
time when they go out to coffeehouses and clubs. Here are some
observations.
Difficulty
Level: easy
Time Required: two sets, encore optional.
Here's
How:
- Make
your presence count. Call in advance for reservations. This eases
the tension of both artist and presenter in the hours and days
before a show, and increases the energy and good will.
- Bring
friends. They will marvel at your great taste and sophistication
in having discovered this underground scene. Because there's
no advertising, this is the best way to swell the ranks.
- Work
hard - remember that in any concert, the audience is half the
show. I've seen too many musicians perform badly or leave unhappy
because they thought the audience was unresponsive - or because
one person in the first row frowned the whole time.
- I
won't even mention loud talking, crying babies and rowdy kids.
- How
to say hello: Go ahead, introduce yourself; don't assume they
remember your name unless and until they protest. Folkies are
people oriented and like to know their fans.
- Do
your conversations go: "I loved your music/song/set."
"Um, thanks."? Try asking a question about a particular
song or show. Artists appreciate proof that someone's actually
listening. They're also likely to ask you something in response.
Then they can remember you, too.
- If
you have a special request, ask beforehand or at intermission.
Most folkies like fulfilling requests, but also like to plan
their sets carefully, so the answer might be no. Making heartfelt
requests in the middle of a show can lead to embarassing moments....
- If
you're gonna buy a CD, buy it at the show. Otherwise the performer
won't see a penny. Also, the CD will have more sentimental value
every time you play it - it will feel more live.
- Musicians
- like baseball players in olden days - are always flattered
to be asked for their autographs. It's not fawning - the goal
is to make the CD more connected to the live show.
IF IT'S A CLUB:
- Buy
food and drinks. Folk fans are notoriously sensible patrons,
which is why sane club owners have karaoke nights and book Eagles
cover bands instead.
- To
do this, when you go out, go all out. Make it a night. Remember
you're supporting the venue as well as the artist: if every couple
orders a coffee and water, the artist will have a hard time getting
booked again.
- It
probably doesn't need saying, but be good to the staff. If they're
happy, everyone's happy. If not, nobody's happy (clinking glasses,
order-taking in the middle of quiet songs...).
- Tipping
- make the waitstaff look forward to your favorite artists' shows
as much as you do. A waiter asking the owner, "So, when's
Christine Lavin coming back?" carries as much weight as
her booking agent.
Tips:
- If
it's a coffeehouse run by volunteers, make sure to thank them.
Also, consider volunteering yourself. Getting involved actually
enhances the experience of folk music.
- Say
hello/thanks to the club owner and let him/her know if you liked
the show. Remember that every folk club owner is this close
to buying a karaoke machine....
- Choose
a place and become a regular. You'll start feeling more like
a host than a guest.
Related
Features:
Hugh Blumenfeld, Editor
hugh@balladtree.com
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© 2001 Hugh Blumenfeld/The Ballad Tree